Charleston, SC Chapter

Last updated: May 12, 2012

Message from the Dean

Welcome to the Charleston Chapter of the American Guild of Organists. We are a community of organists, as well as music lovers, and proficiency on the organ is not a requirement for membership! If you would like to join our organization please contact me at 843-557-7208 or through my email address at LorettaHaskell@moremusicplease.com. Membership includes a subscription to The American Organist and the chapter newsletter, The Voluntary Trumpet. We are looking forward to all upcoming concerts that members will be directing and in which they will be performing during the holiday season, and will keep you informed on this website of dates and locations.

Please consider joining our friendly community, either through membership or attendance at any of our meetings or concerts. We always are open and appreciative of your support and input.

INFORMATION ON POE+ (PIPE ORGAN ENCOUNTER, FOR ADULTS)

The Charleston Chapter will host a POE+ June 11-15, 2012, the week immediately following the end of Spoleto USA 2012. PIPE ORGAN ENCOUNTER PLUS (POE+) is a week long summer organ program for adults, ages 19 and older. Two tracks of instruction are offered: beginning and experienced. Beginning students are proficient pianists who will learn the basics of organ playing including technique, pedaling, and registration. More experienced players will continue to expand their repertoire while gaining expertise in hymn playing, sight reading, and transpositionï¿½skills that may lead to qualifying as a candidate for the AGO Service Playing certificate. All students will gain greater confidence and competence in organ playing under the guidance of an outstanding faculty.

Brochures that include registration for participants will be available January 22nd. If you would like a brochure or any other information regarding the POE+ please contact the POE+ Director, Loretta Haskell at LorettaHaskell@moremusicplease.com.

Pipe Organ Encounters is an educational outreach program of the American Guild of Organists. Major funding for Pipe Organ Encounters is provided by the Associated Pipe Organ Builders of America. Additional support is provided by the American Institute of Organbuilders. Permanently endowed AGO scholarships are provided in memory of Charlene Brice Alexander, Robert S. Baker, Seth Bingham, Clarence Dickinson, Philip Hahn, Charles N. Henderson, Alfred E. Lunsford, Ruth Milliken, Ned Siebert and Martin M. Wick; and in honor of Anthony Baglivi, Philip E. Baker, Morgan and Mary Simmons and the Leupold Foundation.

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By unanimous action of the board our chapter has contributed $250 to the Charleston Symphony Orchestra in memory of David Stahl, late music director.

Loretta Haskell, Dean, Charleston Chapter AGO

IMPORTANT INFORMATION FROM THE AGO NATIONAL HEADQUARTERS:
In an effort to increase the value of the benefits package for AGO voting members, access to the Positions Available listings on the AGO National Web site has been limited exclusively to AGO voting members as of Monday, December 15. It is appropriate that these listings should be made available only to voting members, since membersï¿½ dues pay for the operation of the Guildï¿½s Web site and maintenance of its job postings board. In addition, this new limitation will ensure that only those organists who have agreed to abide by the AGOï¿½s Code of Ethics and Code of Professional Standards will have access to the jobs advertised on the AGOï¿½s Web site.

IMPORTANT MEMBER LOGIN INFORMATION
When you go to view the details of a Position Available online, you will be asked to fill in a User Name and Password. Your User Name and Password will be your unique AGO identification number. This number is located above your name on the address label that appears on your copy of TAO each month. When prompted to fill in the User Name and Password fields, please enter your ID number in both fields to gain access to the details of all job openings. This login procedure may be further refined and enhanced in the weeks ahead.

We look forward to providing this valuable benefit exclusively to AGO voting members. The Guild is widely recognized by religious institutions as the worldï¿½s largest and most prestigious association for professional organists, and this new policy will help us to preserve and protect our well-deserved reputation for excellence.

If you have any questions about this change, please feel free to contact AGO Headquarters during business hours at 212-870-2310 or e-mail us at members@agohq.org.

Shopping for American Guild of Organists gifts is easy. All merchandise can be ordered online at www.agohq.org/store or by phoning AGO store manager Harold Calhoun, 212-870-2311 (ext. 4318) or 800-AGO-5115. Additionally, orders can be placed via postal mail using the order form found on page 9 of each issue of The American Organist Magazine. All orders totaling $30 or more will qualify for a free gift: a CD recording of 2006 NYACOP winner Scott Montgomery.

Local Events

UPCOMING CONCERTS/EVENTS: (Please contact the webmaster at juliah.6@juno.com with information about events).

St. Luke's Noon concerts: Tuesdays 12:15-12:45 pm, at St. Luke's Chapel on the campus of the Medical University of South Carolina. Corner of Ashley and Bee Streets, park on street. FREE (Sorry, no food or drink in the Chapel). For more information please contact Series Coordinator Tom Bailey at twbjr60@aol.com

Concerts will resume in the fall.

PICCOLO SPOLETO
L'ORGANO CONCERT SERIES
mornings at 10:00 for one hour. Free, donations gratefully accepted

Ben Hutto
Monday, May 28 - Bethel United Methodist Church
Mendelssohn - War March of the Priests from Athalie
Bach/Ernst - Concerto in G major
Howells - Saraband for Morning of Easter
Handel - Concerto in B-flat major
Hart - La Joie du Printemps (commissioned by Mr. Hutto for L'Organo 2012)
Walton - Crown Imperial

Christopher Jennings
Tuesday, May 29 - St. Matthew's Lutheran Church
Wyton - Fanfare
Durufle - ..Veni Creator
Hampton - Five Dances
Jongen - Scherzetto
Hancock - Toccata

Brenda Leach
Wednesday, May 30 - Cathedral Church of St. Luke and St. Paul
Elgar - Pomp and Circumstance #4
von Paradis - Sicilienne
Fanny Mendelssohn Hensel - Prelude F major
Vierne - Arabesque and Lied, from 24 Pieces en style libre
Buxtehude - Toccata D minor
Bach - Chorale Fantasie (recently discovered) - "Wo Gott der Herr nicht bein uns haelt"
Bach - Piece d'orgue

Scott Turkington
Thursday, May 31 - Cathedral of St. John the Baptist
Widor - Allegro and Adagio from 6me Symphonie
Durufle - Prelude sur l'Introit de l'Epiphanie
Durufle - Fugue sur le theme des Heures de la Cathedrale de Soissons
Tournemire - L'orgue mystique Suite #35 (Assumptione BMV)

Brennan Szafron, organ
Rhea Jacobus and Sally Frick, flutists
Friday, June 1 – Kahal Kadosh Beth Elohim
Sarasate - Navarra
Mendelssohn - Sonata #4
Bach - Trio Sonata G major (for 2 flutes, BWV 1029)
Locklair - "In Mystery and Wonder" from Casavant Diptych
Doppler - Rigoletto Fantasie

Robert Gant
Saturday, June 2 - St. Matthew’s Lutheran Church
Dupre - Cortege et Litanie
Bach - "Das alte Jahr" from Orgelbuechlein
Bach - "Dies sind die heiligen zehen Gebot" (manualiter) from Clavieruebung III
Bach - Fugue in E-flat major (St. Anne)
Brahms - "Es ist ein Ros" from Op. 122
Schumann - Canon A-flat major
Shearing - Amazing Grace
Locklair - "Peace May be Exchanged" from Rubrics
Locklair - Ayre for the Dance
Grainger - Irish Tune from County Derry
Reger - Introduction and Passacaglia in F minor (Op. 63, #5&6)

Mark Steinbach
Monday, June 4 - Cathedral Church of St. Luke and St. Paul
Messiaen - Transports de joie
Bruhns - "Kleines" Praeludium in E minor
Heiller - Variations on "Nun komm, der Heiden Heiland"
Heiller - Passacaglia in C
Glass - Dance Number 4

Damin Spritzer
Tuesday, June 5 - First (Scots) Presbyterian Church
Tournemire - Te Deum
Vierne - Sur le Rhin
Boehm - "Vater unser im Himmelreich"
Bach - Fantasia super "Valet will ich dir geben"
Becker - First Sonata in G major

Andrew Peters
Wednesday, June 6 - St. John's Lutheran Church
Decker - Albarda from Flores del Desierto: Tangos for Organ
Bach - Toccata, Adagio and Fugue in C
Sixten - Mourning Blues
Sweelinck - Est-ce Mars?
Clarke - Partita on "A Mighty Fortress"
Jongen - Priere
Fleury - Vif et impetueux from 2me Symphonie

David Runner and Carlene Eastridge
Thursday, June 7 - St. Matthew's Lutheran Church
Rutter - Variations on an Easter Theme
Dinda - Max Cat Rag
Borroff - An American Olio
Burkhardt - Praise to the Lord, the Almighty
Leighton - Martyrs
P L Thomas - Prelude on Cradle Song
Wagner - Ride of the Valkyries

Yun Kyong Kim
Friday, June 8 - St. Matthew’s Lutheran Church
Paponaud - Toccata
Bonnet - In Memoriam: Titanic
Bach - Sarabanda con Partite
Ampt - Concert Etude on an Australian Folk Tune
Vierne - Meditation from Trois Improvisations
Farrington - Live Wire

Fall 2012 concert series at St. Helena's Episcopal, Beaufort.
The 12 p.m. concerts will feature former organists of St. Helena's.

October 5 - Adrienne Olson
October 26 - Ann Marcure (with Mary Economy)
November 2 - Andrew Hayler
November 16 - David Eaton

June 24-29, 2012 UNC-School of the Arts' Summer Organ Week for High School Organists.
(these dates do not conflict with our POE+)
The course is open to all high school organists and advanced pianists interested in the organ. The week will be based on the campuses of UNCSA (C.B. Fisk, Op. 75 organ - http://www.cbfisk.com/instrumentFiles/75/075_Stoplist.pdf) and Salem College (1965 Flentrop organ - http://www.flentrop.nl/orgelbouw/winsto_nort_coll.html), and will utilize the wealth of wonderful instruments present in Winston-Salem, NC, including the famous 1800 Tannenberg organ (www.davidtannenberg.com/Tannenberg_1800_Old_Salem.htm). Included each day will be individual lessons and practice time, master classes on technique, repertoire, service playing skills, improvisation, etc. Students will be housed on the campus of UNCSA. For more detailed information about applying, please visit www.uncsa.edu/summersession/music.htm. For further information regarding scholarships and the events of the week, please contact UNCSA & Salem College organ professor, Dr. Timothy Olsen at olsent@uncsa.edu or timothy.jon.olsen@gmail.com.

A.S.A.P
The After School Arts Program is a non-profit outreach organization at Johns Island Presbyterian Church designed to make quality arts instruction available to children from low-income families. The program allows students to receive music lessons from a faculty of qualified volunteers at a nominal fee.

Volunteers are needed to bring healthy snacks on Thursday afternoons and/or to man the registration desk. If you are interested in volunteering on a weekly, monthly, or one-time basis, contact Sarah Smith (559-9380, ssmith@jipc.org).

Qualified teachers are needed to serve our students so we can continue to grow. Music is a life-long gift and we believe that every child should have the opportunity to develop that gift. If you or someone you know is a music teacher who would like to give a little extra to help change someoneï¿½s life, contact Sarah Smith (559-9380, ssmith@jipc.org).

UPCOMING MEETINGS:

The next meeting is our annual Clergy Dinner and Service of Installation of Officers, May 7, 2012 at the Citadel, 171 Moultrie Street in Charleston.
Dinner begins at 6:00 (catered) in Mark Clark Hall, next to the Chapel.
The service follows in the Chapel. Remington award winner Jay Yau will play the prelude for the service: Buxtehude - Praeludium in g minor; Mendelssohn - Finale, Sonata VI (Andante); Hermann Schroeder - Praeludium in C (Kleine Praeludien und Intermezzi, Op. 9)

More information about meetings on our new Facebook page: http://www.facebook.com/event.php?eid=127195707326952&index=1#!/group.php?gid=148813678477615

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The chapter newsletter is The Voluntary Trumpet. The deadline is the 20th of the month preceding date of issue; i.e. September 20th for the October issue. Please send information about coming events, employment opportunities and other items of interest to the Editor: hubbard.george@comcast.net, or by surface mail to George Hubbard, 1087 Barbados Way, Charleston, SC 29412.

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ADVERTISING in the chapter newsletter, The Voluntary Trumpet, is available at the rates below. Material is to be submitted via email, camera ready, to the newsletter editor by the 20th of the month. Rates are as follows:

1/8 page (the size of a business card): $20
1/4 page: $40
1/2 page: $80

AGO members receive a 25% discount on the above amounts.

Membership

For membership forms or information, contact secretary/treasurer Edmund LeRoy - eleroy44@yahoo.com Forms can be emailed as a PDF or in MSWord

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PROFESSIONAL CONCERNS CORNER by Porter Remington

REMEMBER to take the survey! If you have any questions, please contact Ed LeRoy (eleroy44@aol.com) or Porter Remington (bachfan14@bellsouth.net).

The Professional Concerns committee has worked during the summer to prepare a quick and easy survey for our chapter. The questions are about the positions you hold, your education, wedding fees and funeral fees. The results will show how the Charleston areaï¿½s musicians are being compensated for the work they are doing.

We are using an internet tool called ï¿½Survey Monkey.ï¿½ The results are tabulated and sent to us. It is a totally anonymous survey. There is no way for anyoneï¿½s identification to be discovered.

The survey will be sent to you via e-mail. It is short ï¿½ maybe a five minute questionnaire prepared by Jason Pedeaux, Tom Bailey and Porter Remington.

If you have friends that are not AGO members, please send the survey to them and ask them to take it. We want everyone in the Charleston area to answer the questions. We have decided a 75 mile radius around Charleston should be the limit. That would include Moncks Corner, Beaufort, Walterboro, etc. The only request that we have is, PLEASE, take it only ONE TIME.

We will send it out in a few weeks. The deadline for returning it will be November 1, 2011.

Porter Remington bachfan21@juno.com

Placement

POSITIONS AVAILABLE
AND SUBSTITUTE ORGANISTS (SCROLL DOWN)
Position posting date in parentheses.
If you hear of other positions available, please contact the webmaster.

HOLLYWOOD/RAVENEL - Music/Choir Director Wesley Memorial United Methodist Church located in the Hollywood, Ravenel area; responsible for the music for weekly services, special services and weekly choir practice; for more info. call Laurie Herrington 843-847-1378 or 843-889-3745 (not John Wesley Methodist on Highway 17) (4/27/11)

FLORENCE - St. John's Episcopal has an opening for a parish organist. The position is 10 hours/week and is available immediately. The Music Ministry of this traditional Episcopal parish includes an annual concert series, annual regional choir workshop, summer choir camp for area choir members, and a 28-voice adult choir. Duties include accompanying weekly choir practice and playing for Sunday services and all special seasonal liturgies, funerals, weddings. We are seeking a competent musician with solid keyboard skills and a background in traditional/classical repertoire. A bachelor degree in music is preferred. Dedication to his/her ministry, a strong work ethic, excellent organizational skills, and the ability to work collaboratively are essential to the continuing development of a rapidly growing, vibrant music ministry. The organ is a two-manual 9-rank Moller. Built in 1939, it underwent extensive renovation in 2000. Applicants are asked to send a resume, references, and audition tape/CD to Tammy Williams, Minister of Music, at St. John's Episcopal Church, 252 S. Dargan Street, Florence, SC 29506 or twilliams@stjohnsflorence.org. (01/07/10, verified 2/15/10, renewed 7/7/10, 1/2/11, 3/20/12)

SINGERS: Some voice majors at the College of Charleston are looking for employment in area church choirs. For more information, please contact C of C voice faculty Deanna McBroom mcbroomd@cofc.edu or Robert Taylor taylorr@cofc.edu

PIANISTS: Student pianists, both undergraduate piano majors and graduate level in the Artists Certificate Program at the College of Charleston, are available to substitute or accompany in services. Contact Julia Harlow at harlowj@cofc.edu for more information.

SUBSTITUTE ORGANISTS:

Please note: The persons listed below are members of the Charleston Chapter of the AGO, but their listing on this website does not constitute an endorsement by the Chapter. It is strongly recommended that individuals/churches hiring substitutes verify for themselves that the substitute is capable of performing the duties required.

Areas of proficiency: O= organist; P= pianist; C= adult choir director; Y= youth choir director; CC= childrens choir director; H= handbell director; S= singer; A= accompanist

To be added, removed, or amend your listing, please contact the webmaster, Julia Harlow at juliah.6@juno.com

Gregory, Jane: H-406-6479 Cell 817-4856; O, P, C
E-mail bj_gregory@att.net

Jeter, Susanne: H-766-8193; Cell: 607-9449; O, P, CC, H
Email: Jeterhob@aol.com

Lippy, Charles H. Home: 843-766-5954; O
Cell: 423-227-9129

Kohlenberg, Lee: H - 852-5247; O, P, C, A
Email: leekohlenberg@bellsouth.net

Lancaster, James L.
Home Phone: 793-3178 Cell Phone: 530-1213

Miller, James M. (Jimmy): Cell: 843-532-9485; Work: 843-554-9880 ext 8135; O, C (from console)
Email: millerjimmy2@yahoo.com (note new address)

Pedeaux, Jason (not Sundays): Cell: 469-644-3415; O, P, A

Yau, Jay (not Sunday mornings) 864-382-7344; P, A, O

Employers and job seekers are invited to post and search listings of available positions on the Guild's National Website.

Certification

Contact Us

The Executive Committee, as of July 1, 2011:

Dean - Loretta Haskell - lorettahaskell@moremusicplease.com
Subdean - James Lancaster - jll1942@aol.com
Secretary/Treasurer - Edmund LeRoy - eleroy44@yahoo.com

Members-at-Large:
Doug Ludlum - ludlum9834@aol.com
Nancy Lefter - nclefter@bellsouth.net
JeeYoon Choi - jchoi@first-scots.org
Tom Bailey - TWBJR60@aol.com

Newsletter (The Voluntary Trumpet) Editor:
George Hubbard - hubbard.george@comcast.net

Website Manager:
Julia Harlow - juliah.6@juno.com

Deadline for the Voluntary Trumpet is the 20th of the month.

Links

UPCOMING AGO NATIONAL CONVENTIONS:

2012 - July 1-6; Nashville, TN - http://www.nashvilleago.org
2014 - June 24-27; Boston, MA
2016 - July 4-7; Houston, TX
2018 - Kansas City, MO

Region IV -

2013 - Columbia, SC

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CHARLESTON, SC ORGAN STOPLISTS
All churches downtown unless otherwise indicated, in alphabetical order

BETHEL UNITED METHODIST CHURCH
Schlueter and Sons, (Lithonia, GA), 2004
3 manuals, 44 stops, 51 ranks

GREAT
16 Double Open Diapason..........12 pipes
8 Open Diapason..........61 pipes
8 Principal..........61 pipes
8 Violone..........49 pipes
8 Bourdon..........61 pipes
8 Harmonic Flute..........44 pipes
4 Octave..........61 pipes
4 Spire Flute..........61 pipes
2 2/3 Twelfth (prepared)
2 Fifteenth..........61 pipes
V Cornet (prepared)
IV-V Mixture 1 1/3 ..........281 pipes
8 Clarinet..........Ch/Solo
16 Trombone..........Ch/So-NC
8 Tromba Heroique..........Ch/So-NC
4 Tromba..........Ch/So-NC
8 English Tuba ..........Ch/So-NC
Chimes..........Ch/So-(on tablet rail)

Great to Great 4
Tremolo

SWELL
16 Lieblich Flute..........12 pipes
8 Chimney Flute..........61 pipes
8 Geigen Principal..........61 pipes
8 Viole de Gamba..........61 pipes
8 Viole Celeste TC..........49 pipes
8 Flauto Dolce..........61 pipes
8 Flauto Dolce Celeste TC..........49 pipes
4 Geigen Octave..........12 pipes
4 Koppel Flute..........61 pipes
2 2/3 Nazard..........61 pipes
2 Flageolet..........61 pipes
1 3/5 Tierce..........61 pipes
IV-VI Mixture 2 ..........300 pipes
16 Contra Oboe..........12 pipes
8 Trumpet..........61 pipes
8 Oboe..........61 pipes
8 Vox Humana..........61 pipes
4 Clarion..........12 pipes
Swell to Swell 16 , 4
Swell Unison Off
Tremolo

CHOIR/SOLO
16 Gemshorn, ..........61 pipes
8 English Diapason..........61 pipes
8 Hohl Flute..........61 pipes
8 Gamba..........61 pipes
8 Gamba Celeste TC..........49 pipes
8 Gemshorn..........61 pipes
8 Gemshorn Celeste TC..........49 pipes
4 Principal..........61 pipes
4 Traverse Flute..........61 pipes
2 Piccolo..........61 pipes
1 1/3 Quint..........61 pipes
III Choral Mixture 2 ..........183 pipes
8 Clarinet..........61 pipes

8 French Horn..........61 pipes
8 Tromba Heroique..........61 pipes
16 English Tuba..........49 pipes Notes NC
8 English Tuba NC..........61 pipes
4 English Tuba..........49 Notes NC
Choir/Solo to Choir/Solo 16
Choir/Solo Unison Off
Choir/Solo to Choir/Solo 4
Harp..........61 Notes (digital) (tablet rail)
Zimbelstern..........9 Bells (on tablet rail)
Tremolo

PEDAL
32 Untersatz..........32 Notes
16 Principal.......... 12 pipes
16 Double Open Diapason..........Gt
16 Gemshorn..........Choir/Solo
16 Bourdon..........12 pipes
16 Lieblich Flute..........Swell
8 Octave.......... 32 pipes
8 Open Diapason-..........Great
8 Gemshorn..........Choir/Solo
8 Bourdon.......... 32 pipes
8 Chimney Flute..........Swell
4 Choral Bass..........32 Notes
4 Cantus Flute..........Great
III Mixture 2 2/3 ..........96 Notes
32 Contra Trombone..........32 Notes (digital)
32 Harmonics..........32 Notes
16 Trombone..........12 pipes (ch/solo)
16 Contra Oboe..........Swell
8 English Tuba..........Choir/Solo
8 Tromba..........Choir/Solo
8 Oboe..........Swell
4 Clairon..........Choir/Solo
Chimes..........32 Notes (digital) (on tablet rail)

INTER-MANUAL COUPLERS
Great to Pedal 8 /4

Swell to Pedal 8 /4
Choir/Solo to Pedal 8 /4
Swell to Great 16 /8 /4
Choir/Solo to Great 16 /8 /4
Great to Choir/Solo 8
Swell to Choir/Solo 16 /8 /4
MIDI on Choir/Solo
MIDI on Great/Swell/Pedal

COMBINATION PISTONS
128 Level Memory (minimum) for the entire combination system
5 Thumb Pistons per division
10 General Pistons affecting entire organ
6-10 General Pistons duplicated by toe studs

ACCESSORIES
Balanced Swell Expression Pedal
Balanced Choir/Solo Expression Pedal
Crescendo Pedal
Gt/Ped Reversible - Thumb and Toe
Sw/Ped Reversible - Thumb and Toe
Ch/S to Pedal Reversible - Thumb and Toe
32 Untersatz Rev. - Thumb or Toe
32 Contra Trombone Rev. - Thumb or Toe
Reeds Off

Mixtures Off

Great/Choir Transfer
Sfz Reversible - Thumb and Toe
File Data Sequencer

NC = non-coupling
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CATHEDRAL CHURCH OF ST. LUKE AND S. PAUL (EPISCOPAL)
Gabriel Kney & Co., London, Ontario, Canada, 1976
2 manuals, 27 stops, 36 ranks

GREAT
Principal 8'
Rohrfloete 8'
Octave 4'
Spitzfloete 4'
Nasat 2 2/3'
Blockfloete 2'
Terz 1 3/5'
Mixture V (2')
Trumpet 16'
Trumpet 8'
Swell to Great
Tremulant

SWELL (ENCLOSED)
Gedeckt 8'
Gamba 8'
Celeste (tenor C) 8'
Principal 4'
Flute 4'
Octave 2'
Quinte 1 1/3'
Scharff III (1')
Dulcian 16'
Schalmei 8'
Tremulant

PEDAL
Subbass 16'
Principal 8'
Gedeckt 8'
Choralbass 4'
Mixture IV (2 2/3')
Posaune 16'
Trumpet 8'
Great to Pedal
Swell to Pedal

mechanical key action; electric stop action
manual compass: 56 keys; pedal compass: 32 keys
Toe studs: Great to Pedal reversible; adjustable tutti piston;
8 general pistons (8 levels of memory, solid state).
Thumb pistons: setter, general cancel. Balanced swell pedal.
Zimbelstern (5 bells). AGO-style pedalboard.

Casework by Theodore Charles Bates, Ludgate Hill, London, England, circa 1853

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CATHEDRAL OF ST. JOHN THE BAPTIST (CATHOLIC)
Bedient organ, Opus 22
2 manuals, 26 stops, 31 ranks
Christ Church Cathedral, Louisville, KY 1986
Moved to Charleston, SC 1994

GRAND ORGUE
Bourdon 16'
Montre 8'
Flute Harmonique 8'
Bourdon 8'
Salicional 8'
Prestant 4'
Octave* 4'
Doublette* 2'
Plein Jeu* III - VI
Basson* 16'
Trompette* 8'
Clairon* 4'

RECIT
Flute Harmonique 8'
Viole de Gambe 8'
Voix celeste 8'
Octaviante 4'
Octavin* 2'
Cornet II*
Trumpette* 8'
Hautbois 8'
Voix Humaine* 8'

PEDALE
Contrebasse+ 32'
Contrebass 16'
Soubasse 16'
Basse Flute 8'
Bombarde* 16'
Trompette* 8'

Console Control Pedals
(Left to Right)
Orage
G-O./Ped
Recit/Ped
G-O Octaves Graves
Anches Ped
Anches G.-O.
Anches Recit
Recit/G.-O.
Tremblant
Recit Expressif

Mechanical key and stop action (Gt & Coupler on Barker machine)
*ventil control
+ added 1994
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FIRST (SCOTS) PRESBYTERIAN CHURCH
ONTKO AND YOUNG, 1992
4 manuals, 47 registers, 71 ranks

GREAT (Manual I)
Principal 16........(zinc & 50% tin, Haskell bass, reconditioned)
Montre 8.......... (zinc & 50% tin, faÃ§ade) [1992]
Principal 8........ (extension of Principal 16)
Flute a Pointe 8....(25% tin) [1992]
Prestant 4..........(50% tin, faÃ§ade) [1992]
Flageolet 2........ (50% tin) [1992]
Fourniture IV-V rks...... (50% tin) [1992]
Cymbale III rks........(50% tin) [1992]
Dessus de Cornet V rks Mid C .... (25% tin, mounted) [1992]
Trompette 8...... (zinc & 50% tin, harmonic) [1992]
Clairon II 4...... (50% tin, harmonic, double flue trebles 4â€™+2â€™) [1992]
Tremulant

POSITIF (Manual II)
Gemshorn 8...... (zinc & 50% tin, reconditioned)
Bourdon 8........ (zinc & 25% tin, reconditioned)
Prestant 4........ (50% tin, faÃ§ade) [1992]
Flute a Fuseau 4.. (25% tin, tapered canisters, reconditioned)
Doublette 2........(50% tin) [1992]
Tierce-Sept II rks TC......(25% tin) [1992]
Fourniture IV rks......(50% tin) [1992]
Cromorne 8........(50% tin) [1992]

Tremulant
Zimblestern........(7 bells)

SWELL ONE (Manual III)
Flute a cheminee 8....(zinc & 25% tin, chimneys, reconditioned)
Viole de Gambe 8.... (zinc & 65% tin, reconditioned)
Voix Celeste 8........ (zinc & 65% tin, reconditioned)
Flute conique 4........(25% tin, harmonic trebles, reconditioned)
Nazard 2 2/3.......... (25% tin, reconditioned)
Quarte de Nasard 2.. (40% tin, reconditioned)
Tierce 1 3/5............(25% tin, reconditioned)
Basson 16..............(zinc & 50% tin, reconditioned)
Hautbois 8............ (extension of Basson 16)
Vox Humana 8........ (reconditioned Austin Vox-in-a-Box)
Tremulant

SWELL TWO (Manual III)
Quintaton 16.......... (zinc and 40% tin, reconditioned)
Principal 8............ (zinc & 40% tin, reconditioned)
Quintaton 8............ (extension of Quintaton 16)
Dulciane 8........... (zinc & 40% tin, Haskell bass, reconditioned)
Unda Maris 8 TC.......... (40% tin, reconditioned)
Octave 4................(50% tin, reconditioned)
Plein-Jeu V............(50% tin, reconditioned)
Trompette 8.......... (zinc & 50% tin, harmonic, reconditioned)
Clairon 4.............. (50% tin, harmonic, reconditioned)

Tremulant

SOLO (Manual IV)
Flute en Bois 8........ (open wood, reconditioned)
Violoncelle 8..........(Zinc & 60% tin, reconditioned E.M. Skinner)
Violoncelle Celeste 8........ (Zinc & 50% tin, reconditioned)
Flute harmonique 4....(30% tin, reconditioned)
Octavin 2.............. (extension of Flute harmonique)
Cor Anglais 8..........(Zinc & 50% tin, reconditioned)
Tuba 8................ (Zinc & 40% tin, harmonic trebles, reconditioned)
Harp TC.......... (from 4' Celesta)
Celesta...(reconditioned, 58 bars)
Chimes................ (reconditioned, 25 tubes)
Tremulant

PEDAL
Resultant 32............(borrowed)
Contrebasse 16........ (open wood bass, lead trebles, reconditioned)
Principal 16............ (from Great)
Soubasse 16.......... (stoppered wood pipes, reconditioned)
Quintaton 16.......... (from SwellTwo)
Principal 8............ (zinc & 50% tin, reconditioned)
Basse 8................ (extension of Contrebasse)
Flute couverte 8........(extension of Soubasse)

Violoncelle 8........ (from Solo)
Octave 4................(Zinc and 50% tin, reconditioned)
Flute 4..................(extension of Soubasse)
Mixture VI rks............ (40% & 50% tin, reconditioned)
Contre Bombarde 32.. (Zinc & 50% tin) [1992]
Bombarde 16.......... (extension of Contre Bombarde)
Basson 16.............. (from Swell One)
Trompette 8............ (extension of Contre Bombarde)
Basson 8................ (from Swell One)
Clairon 4................(extension of Contre Bombarde)
Cor Anglais 4.......... (from Solo)

Electric-slider chests for straight manual stops; rest all-electric. Swells One and Two are independently expressive and coupling. Compass 58/32

Stoplist courtesy of the builder: http://www.OntkoPipeOrgans.com

************************************************************

GRACE EPISCOPAL CHURCH
Reuter Organ Company, Lawrence, Kansas
4 manuals, 79 ranks
Opus 994 1952
New Console 1997
Renovation 2000
Tonal enhancement 2002
Solo-Antiphonal 2009

The organ at Grace Episcopal Church was originally a three-manual instrument with 26 ranks of pipes. The design of this organ has been carefully revised and enhanced over the years. The current project was conceived in conjunction with major building renovations. It includes relocating the Positiv division with additions, the creation of a new Solo division and other tonal changes (changes/additions are noted with ++.)

Great
16ï¿½ Violone
16ï¿½ Quintaton (Positiv)++
8ï¿½ Principal
8ï¿½ Bourdon
8ï¿½ Harmonic Flute
8ï¿½ Violone (Ext.)
4ï¿½ Octave
4ï¿½ Koppelflï¿½te
2 2/3ï¿½ Twelfth
2ï¿½ Fifteenth
III Cornet (TC)++
IV Fourniture
III Scharf (Swell)
16ï¿½ Double Trumpet
8ï¿½ Trumpet
8ï¿½ Tuba (Solo)++
8ï¿½ English Horn (Solo)++
8ï¿½ French Horn (Solo)++
4ï¿½ Clarion
8ï¿½ Trompette en Chamade (Ant.)
Tremulant
Chimes on Great
Great/Positiv Transfer
MIDI

Swell
16ï¿½ Rohrflï¿½te
8ï¿½ Principal
8ï¿½ Geigen Diapason
8ï¿½ Rohrflï¿½te (Ext.)
8ï¿½ Concert Flute (Choir)
8ï¿½ Flute de Teite (Choir)
8ï¿½ Viola da Gamba
8ï¿½ Voix Cï¿½leste
8ï¿½ Erzï¿½hler (Choir)
8ï¿½ Erzï¿½hler Celeste (Choir)
4ï¿½ Octave Geigen
4ï¿½ Hohlflï¿½te
2 2/3ï¿½ Nazard
2ï¿½ Super Octave
2ï¿½ Nachthorn
1 3/5ï¿½ Tierce
IV Plein Jeu
III Scharf
16ï¿½ Trumpet
16ï¿½ Contra Oboe
8ï¿½ Trumpet
8ï¿½ Trompette
8ï¿½ Tuba (Solo)++
8ï¿½ Oboe
8ï¿½ Vox Humana
4ï¿½ Clarion
Tremulant
All Swells to Swell
MIDI

Choir
8ï¿½ Concert Flute
8ï¿½ Harmonic Flute (Great)
8ï¿½ Flute de Teite
8ï¿½ Viola
8ï¿½ Viola Celeste
8ï¿½ Erzï¿½hler
8ï¿½ Erzï¿½hler Celeste
4ï¿½ Harmonic Flute
8ï¿½ Cromorne
8ï¿½ French Horn (Solo)++
Tremulant
MIDI

Solo
16ï¿½ Dulciana++
8ï¿½ Major Flute++
8ï¿½ Harmonic Flute (Great)
8ï¿½ Concert Flute (Choir)
8ï¿½ Viole dï¿½Orchestre++
8ï¿½ Celeste (CC)++
8ï¿½ Dulciana (Ext)++
8ï¿½ Unda Maris (GG)++
8ï¿½ Erzï¿½hler Celeste II (Choir)
8ï¿½ Quintaton (Positiv)++
III Cornet (Great)
16ï¿½ Tuba (TC)++
16ï¿½ Double Trumpet (Great)
16ï¿½ Trumpet (Swell)
8ï¿½ Tuba++
8ï¿½ French Horn++
8ï¿½ English Horn++
8ï¿½ Trumpet (Great)
8ï¿½ Trompette (Swell)
8ï¿½ Trumpet (Swell)
8ï¿½ Oboe (Swell)
8ï¿½ Vox Humana (Swell)
4ï¿½ Clarion (Swell)
16ï¿½ Trompette en Chamade (Ant.)
8 Trompette en Chamade (Ant.)
Tremulant
MIDI

Positiv
16ï¿½ Quintaton++
8ï¿½ Gedeckt
4ï¿½ Principal
4ï¿½ Quintaton (Ext.)++
2 2/3ï¿½ Twelfth++
2ï¿½ Principal
1 3/5ï¿½ Seventeenth++
1 1/3ï¿½ Larigot
1 1/7ï¿½ Septiï¿½me
III Cymbal
16ï¿½ Tuba (Solo)++
8ï¿½ Tuba (Solo)++
8ï¿½ Trompette en Chamade (Ant.)
8ï¿½ English Horn (Solo)++
Tremulant
Positiv/Solo Nave Shades Off

Pedal
32ï¿½ Violone
32ï¿½ Resultant
16ï¿½ Principal
16ï¿½ Subbass
16ï¿½ Violone (Great)
16ï¿½ Dulciana (Solo)
16ï¿½ Rohrflï¿½te (Swell)
8ï¿½ Octave (Ext.)
8ï¿½ Subbass (Ext.)
8ï¿½ Violone (Great)
8ï¿½ Rohrflï¿½te (Swell)
4ï¿½ Choral Bass
4ï¿½ Subbass (Ext.)
4ï¿½ Harmonic Flute (Great)
IV Mixture
32ï¿½ Trombone
16ï¿½ Double Trumpet (Great)
16ï¿½ Trumpet (Swell)
16ï¿½ Contra Oboe (Swell)
8ï¿½ Trumpet (Great)
8ï¿½ Trumpet (Swell)
8ï¿½ Oboe (Swell)
4ï¿½ Clarion (Swell)
8ï¿½ Trompette en Chamade (Ant.)
8ï¿½ Tuba (Solo)
MIDI

Antiphonal
8ï¿½ Principal++
8ï¿½ Bourdon++
8ï¿½ Dulciana++
4ï¿½ Octave++
4ï¿½ Flachflï¿½te++
2ï¿½ Flachflï¿½te (Ext.)++

Antiphonal Pedal
16ï¿½ Bourdon (Ext.)++
8ï¿½ Bourdon++

Crescendo Pedal
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++

KAHAL KADOSH BETH ELOHIM SYNAGOGUE
Ontko & Young organ, 1996, Opus 24
2 manuals - 19 registers - 19 ranks

Great
16 Bourdon
8 Montre
8 Flï¿½te ï¿½ pointe
8 Dulciane
4 Prestant
4 Flï¿½te douce
2 2/3 Quinte
2 Doublette

Swell
8 Diapason
8 Bourdon
8 Viole de gambe
8 Voix cï¿½leste
4 Principal
4 Flï¿½te harmonique
2 Octavin
8 Cornopï¿½an
8 Hautbois
Tremulant

Pedal
32 Resultant (on Gt/Ped 4' coupler tab)
16 Contrebasse
16 Bourdon (Great)
8 Flï¿½te ouverte
8 Basse
4 Flï¿½te en bois

++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++

MOUNT PLEASANT PRESBYTERIAN CHURCH
Roosevelt 1886, rebuilt by Andover, 1982
2 manuals, 14 ranks Tracker action

Great:
8' Chimney Flute
8' Open Diapason
4' Octave
2/III Mixture

Swell:
8' Trumpet
8' Stopped Diapason
4' Flute D'Amour
2' Principal
II' Sesquialtera

Pedal:
16' Bourdon

Couplers:
Swell to Pedal
Great to Pedal
Swell to Great

Great Octaves
Swell Tremulant

++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++

ST. ANDREW'S ANGLICAN CHURCH, Mt. Pleasant
Schantz 1971

Great:
8' Principal
8' Bourdun
8' Viola da Gamba
4' Octave
2' Wald Flï¿½te
III Mixture
Chimes

Swell:
8' Gedackt
8' Gemshorn
8' Gemshorn Celeste
4' Koppel Flï¿½te
2' Principal
1 1/3' Quinte
8' Trompette
4' Schalmei
Tremulant

Pedal:
16' Violone
16' Gedackt
8' Principal
8' Gedackt
4' Octave
16' Contre Trompette
4' Schalmei

Couplers
8' Great to Pedal (toe reversible)
4' Great to Pedal
8' Swell to Pedal
4' Swell to Pedal
16' Swell to Swell
4' Swell to Swell
4' Great to Great
16' Swell to Great
8' Swell to Great
4' Swell to Great

Swell Unison Off
Great Unison Off

6 General pistons 1-6 (thumb and toe)
3 Divisionals Great, Swell (thumb), Pedal (toe)

Full Organ
Crescendo Pedal
General Cancel

+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++

ST. JOHNï¿½S LUTHERAN CHURCH
Schantz Organ Co., 1963, rebuilt 1991
3 manuals, 43 ranks

GREAT
Prinzipal 8'
Bordun 8'
Octav 4'
Super Octav 2'
Mixtur IV
Trompette en Chamade 8'
Cymbelstern [slow and fast]

SWELL [encl]
Viola Celeste 8'
Vla da Gamba 8'
Rohrflote 8'
Koppel Flote 4'
Prinzipal 2'
Nazat 2 2/3'
Terz 1 3/5'
Trompette 8ï¿½
Chalumeau 4ï¿½
Trompette en Chamade 8ï¿½
Tremolo

POSITIV
Nason Flote 8'
Gemshorn 4'
Waldflote 2'
Quinte 1 1/3'
Sifflote 1'
Scharff III
Krumm Horn 8'
Trompette en Chamade 8'

PEDAL
Resultant 32'
Prinzipal 16'
Gedackt 16'
Gedackt 8'
Octav 8'
Super Octav 4'
Mixtur II
Bombarde 16'
Schalmey 4

Couplers 16, 8, 4
Carillon (bell tower)

++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++

ST. LUKE AND ST. PAUL - see CATHEDRAL CHURCH OF ST. LUKE AND ST. PAUL

++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++

ST. MATTHEW'S LUTHERAN CHURCH
Austin Organ Co., 1967
3 manuals, 48 stops, 61 ranks (a/o 5/11/11)

GREAT (unenclosed)
16 Gemshorn
8 Principal
8 Bourdon
8 Gemshorn (ext)
4 Octave
4 Spitzflote
2 Waldflote
II Rauschquint
IV Fourniture
8 Trompette en chamade (Ch)
Cymbelstern
Chimes
Gt-Gt 16, 4
Sw-Gt 16, 8, 4
Ch-Gt 16, 8, 4
Pos-Gt 8

SWELL (enclosed)
16 Lieblich Gedackt
8 Geigen Principal
8 Hohl Flute
8 Gamba
8 Gamba Celeste
4 Principal
4 Rohrflote
2 Flautino
IV Plein Jeu
16 Contra Fagotto
8 Fagotto (ext)
4 Clairon
8 Trumpet
8 Trompette en chamade (Ch)
Sw-Sw 16, 4
Ch-Sw 8
Ch-Pos 8

CHOIR (enclosed)
8 Nason Flute
8 Flauto Dolce
8 Flute Celeste
4 Koppelflote
2 2/3 Nasard
2 Blockflote
1 3/5 Tierce
8 Krummhorn
8 Bombarde
8 Trompette en chamade
Tremulant
Ch-Ch 16, 4
Sw-Ch 16, 8, 4
Gt 8; Pos 8

CHANCEL (enclosed)
8 Gedackt
8 Viole d'amour
8 Viole celeste
4 Principal
4 Chimney Flute
III Mixture
8 Trompete
Tremulant
Chancel on Great
Chancel on Choir

POSITIV
8 Suavial
4 Praestant
2 Prinzipal
1 1/3 Larigot
III Cymbel
4 Schalmei

PEDAL
32 Resultant(ext)
32 Lieblich Gedackt (digital)
32 Contra Bombarde (digital)
16 Principal
16 Bourdon
16 Gemshorn (Gt)
16 Lieblich Gedackt (Sw)
16 Flauto Dolce (Ch ext)
8 Octave
8 Gemshorn(Gt)
8 Gedeckt(ext)
4 Choralbass
III Mixture
16 Bombarde (Ch ext)
16 Fagotto(Sw)
8 Bombarde (Ch)
8 Trompette en chamade (Ch)
4 Krummhorn (Ch)
16 Gedeckt (Chancel)
8 Floete (Chancel)
Chimes (Gt)
Gt-Ped 8, 4;
Sw-Ped 8, 4
Ch-Ped 8, 4;
Pos-Ped 8

Electropneumatic action
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
ST. MICHAEL'S EPISCOPAL CHURCH
KENNETH JONES AND ASSOCIATES
BRAY, IRELAND 1994

Three manuals and pedals, 40 stops, 51 ranks, 2,519 pipes, 6 couplers, tracker key action, mechanical stop-action with a parallel electric stop-action. The organ case is restored to its original 1767 style and proportions. Original case by John Snetzler. It has been in St. Michael's since 1767.

GREAT ORGAN Manual II (Snetzler Case)
Lieblich Bourdon 16......Copper & 50% tin / 58 pipes
Open Diapason 8......75% tin front pipes, gilt, rest 50% tin / 58 pipes
Stop' Diapason 8......copper & 20% tin / 58 pipes
Principal 4......50% tin / 58 pipes
Open Flute 4.....23% tin / 58 pipes
Twelfth 2 2/3......20% tin / 58 pipes
Fifteenth 2......50% tin / 58 pipes
Mixture IV ranks 1 1/3......50% tin / 232 pipes
Cornet V (mounted) mid C.....20% tin / 170 pipes
Trumpet 8.....50% tin 62

SWELL ORGAN Manual III (under Expression)
Stop'd Diapason 8....oak & 50% tin / 58 pipes
Salicional 8.....copper & 50% tin / 58 pipes
Voix Celeste (tenor c) 8.....50% tin / 46 pipes
Principal 4.....50% tin / 58 pipes
Wald Flute 4.....20% tin / 58 pipes
Doublette 2.....50% tin / 58 pipes
Mixture III-IV 2.....50% tin / 210 pipes
Double Trumpet 16.....50% tin / 58 pipes
Cornopean 8.....50% tin / 62 pipes
Oboe 8.....50% tin / 58 pipes

CHOIR ORGAN Manual I (Snetzler Case)
Stop'd Diapason 8.....oak & 20% tin / 58 pipes
Principal 4.....50% tin / 58 pipes
Flute 4.....20% tin / 58 pipes
Nazard 2 2/3.....20% tin / 58 pipes
Fifteenth 2.....50% tin / 58 pipes
Blockflute 2.....50% tin, bass no. 25 / 40 pipes
Tierce 1 3/5.....20% tin / 58 pipes
Cymbal II 1 1/3.....50% tin / 116 pipes
Cromorne 8......50% tin / 58 pipes
Grand Trumpet 8......75% tin / 62 pipes

PEDAL ORGAN
Open Wood 16......wood, restored, revoiced / 32 pipes
Sub Bass 16......pine / 32 pipes
Lieblich Bourdon* 16......mechanically derived from No. 1
Quint 10 2/3......50% tin, bass No. 32 / 20 pipes
Principal 8......copper and 50% tin / 32 pipes
Bass Flute* 8......50% tin, bass No. 3 / 20 pipes
Twelfth 5 1/3......extension No. 34 / 12 pipes
Choral Bass* 4.......50% tin, bass No. 4 / 25 pipes
Mixture III 4.......50% tin / 96 pipes
Trombone 16.......copper and 50% tin / 32 pipes

* denotes stops located in Snetzler Case

Couplers for Swell to Pedal, Great to Pedal, Choir to Pedal, Swell to Great, Swell to Choir, Choir to Great.
Tremulants for Great/Choir, Swell

Combination System: 8 General Thumb Pistons, 8 Thumb Pistons each for Swell, Great, Choir, Pedal, Toe Pistons duplicating General and Pedal Pistons, Reversible Thumb pistons for couplers, Reversible Toe Pistons for Great to Pedal and Swell to Great, Switch for Great and Pedal Pistons combined. Pistons adjustable by setter piston, with 16 separate sets of memories. An ITT star card facility with read-write unit at the console, storing all 16 sets of internal memory. Balanced Expression Pedal Adjustable Bench

++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++

SECOND PRESBYTERIAN CHURCH
Moeller, 1955 and Pipe Organ Sales and Service, 1991; 3 manuals, 29 ranks
*-changes June, 2011, AE Schlueter and Sons, Lithonia, GA

Great
16 Rohr Bourdon(Sw)*
8 Diapason
8 Harmonic Flute
8 Gemshorn
4 Octave
2 2/3 Nasard
2 Fifteenth
III Mixture
8 Trumpet(Sw)*
Chimes

Swell
8 Rohr Flute
8 Viole da Gambe
8 Viole Celeste
4 Spitz Principal
4 Nason Gedeckt
III Plein Jeu
8 Trumpet
8 Oboe*
Zimbelstern

Choir
8 Concert Flute
8 Dulciana
8 Unda Maris
4 Koppel Flute
2 2/3 Nazard
2 Blockflute
8 Clarinet
Chimes

Pedal
32 Resultant
16 Subbass
16 Rohr Bourdon
8 Principal
8 Subbass
8 Rohr Flute
4 Octave
4 Rohr Flute
16 Trompette
8 Trompette
4 Clairon

************************************************************

STELLA MARIS CATHOLIC CHURCH
Sullivans Island, SC
AE Schleuter Co., 2000

GREAT (unenclosed)
... 8' Diapason
8' Harmonic Flute
4' Octave
4' Open Flute
2 2/3' Nazard
2' Super Octave
1 3/5' Tierce
IV Mixture 1 1/3'
16' Bassoon (SW)
8' Trombe Maestro
Tremolo

SWELL (expressive)
16' Lieblich Gedeckt
8' Stopped Diapason
8' Gemshorn
8' Gemshorn Celeste
4' Principal
4' Chimney Flute
2' Flageolet
III Mixture 1'
16' Bassoon
8' Trombe Maestro
8' Trumpet
8' Oboe
4' Clarion
Tremolo

PEDAL
32' Sanftbass (prepared for)
16' Principal
16' Subbass
16' Lieblich Gedeckt (SW)
8' Octave Bass
8' Flute
8' Gedeckt (SW)
4' Choral Bass
4' Cantus Flute (gt)
16' Trombone
16' Bassoon (SW)
8' Trombe Maestro (GT)
8' Trumpet (SW)
8' Oboe (SW)
4' Oboe (SW)

COUPLERS
Great to Pedal 8', 4'
Great to Great 16'
Great Unison Off
Great to Great 4'
Swell to Pedal 8', 4'
Swell to Swell 16', 4'
Swell Unison Off
Swell to Great 16', 8', 4'

COMBINATION SYSTEM
8 Levels of Memory
1-10 General Pistons - Thumb
6-10 General Pistons - Toe
1-5 Great Division Pistons - Thumb
1-5 Swell Division Pistons - Thumb
1-4 Pedal Division Pistons - Toe
Set Piston, Cancel Piston - Thumb
Crescendo Pedal

REVERSIBLES
Great to Pedal - Thumb and Toe
Swell to Pedal - Thumb and Toe
Sforzando - Thumb and Toe

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